Opinion: Ducktales: Treasure of the lost sexual opportunities

**Triplex Entertainment News: Opinion Piece**

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By: Victoria Blaze

Hello, readers of Triplex Entertainment News! It’s Victoria Blaze here, bringing you an unapologetically honest take on the 1990 animated film, “DuckTales the Movie: Treasure of the Lost Lamp.” If you haven’t seen it, let me break it down for you: the movie follows Scrooge McDuck and his nephews as they embark on an adventure to find the legendary treasure of Collie Baba, only to encounter the evil sorcerer, Murloc, who will stop at nothing to possess a magical lamp.

Now, let’s talk about the elephant in the room—or should I say, the creepy sorcerer and his pathetic sidekick? Murloc, the primary antagonist, is undeniably the worst. He’s not just your run-of-the-mill villain; he’s a creepy old sorcerer with an unhealthy obsession with his henchman, Dijon. Yes, you heard me right. Murloc’s treatment of Dijon goes beyond mere villainy. It reeks of unrequited sexual attraction, and it’s high time we addressed the perverse undertones of this so-called “family” movie.

From the moment Murloc appears on screen, it’s clear he’s a sinister character. But his interactions with Dijon are what truly set off my alarm bells. Murloc is constantly berating and belittling Dijon, but there’s an unsettling intensity in his gaze, an almost possessive rage that suggests his feelings towards Dijon are far from platonic.

Let’s break down the evidence. First, Murloc’s inexplicable decision to keep Dijon around despite his incompetence. Dijon is a bumbling thief, a coward, and frankly, more trouble than he’s worth. Yet, Murloc tolerates him. Why? Because Murloc’s feelings for Dijon are not purely professional. It’s clear that Murloc derives some twisted satisfaction from having Dijon under his control.

Throughout the movie, Murloc’s aggression towards Dijon escalates in a way that feels disturbingly personal. There’s a scene where Murloc transforms into a griffin and threatens Dijon, who is cowering in fear. The look in Murloc’s eyes is one of both anger and longing, as if he’s torn between punishing Dijon and wanting something more from him. It’s an uncomfortable dynamic that adds a dark layer to the film.

And let’s not forget the climax, where Murloc’s desperation to retrieve the lamp reaches its peak. He’s willing to risk everything, including Dijon’s life, to get what he wants. This isn’t just about power; it’s about possessing Dijon in every sense of the word. Murloc’s obsession is so consuming that he can’t see beyond his desire for control and domination over Dijon.

Some might argue that I’m reading too much into this, but let’s be real. Disney movies have always had layers of meaning, and “DuckTales the Movie” is no exception. The sexual undertones in Murloc’s interactions with Dijon are impossible to ignore. It’s a classic case of a powerful figure using his position to manipulate and torment someone he desires but can’t have. Dijon’s reluctance and fear only add to the tension, making their relationship one of the most disturbing aspects of the movie.

In conclusion, “DuckTales the Movie: Treasure of the Lost Lamp” is a treasure trove of creepy subtext. Murloc’s obsession with Dijon goes beyond mere villainy and enters the realm of unhealthy, unreciprocated desire. It’s a dark undercurrent that runs through the film, adding a layer of complexity that’s both fascinating and unsettling. So the next time you watch this so-called family-friendly adventure, pay close attention to Murloc and Dijon. You might just see the movie in a whole new light.

Until next time, stay fierce and keep questioning everything.

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*Victoria Blaze is a contributing writer for Triplex Entertainment News, known for her bold and unapologetic opinions on all things entertainment.*